Batteries (the wonder of ch’i), gouache on paper, 2024
Family Portrait (Bronzino in the studio), gouache on paper, 2024
Morning (the yellow dress), gouache on paper, 2024
Lemon Water and Bathers, gouache on paper, 2025
Heart and Soul (Van Gogh and macadamias), gouache on paper, 2024
Chair and Question (Rembrandt and bentwood), gouache on paper, 2025
Font (remembering Limestone Valley), gouache on paper, 2024
Cherry Table (a secret psychology of drawers), gouache on paper, 2022
From Laurie in LA (Art Deco travel poster sent in memory of our youthful travels), gouache on paper, 2024
From John in London (Paula Rego’s dance of life with colour wheel and my mother’s palette), gouache on paper, 2024
From Carmel in Chicago (Georgia O’Keefe’s clouds with the Darling Downs sky of Kenneth McQueen), gouache on paper, 2025
From Lynn in Paris (Fra Angelico’s drummer angel in studio jug), gouache on paper, 2024
From Peter in Devon (Arthur Wallis’ ship in a storm of paint rags), gouache on paper, 2024
Maternal Threads (abstract by a young artist with fabric from both her grandmothers), oil on linen, 2025
Studio Interior (the poetics of space), oil on linen, 2024
d’art Moderne, gouache on paper, 2024
Foliage (Milena, Lamp and Black Bean), gouache on paper, 2024
Ancient Fertilities (Bunya fruit and torso), gouache on paper, 2023
Costumed Easel , gouache on paper, 2023
Pictorial Analysis (with Red Cedar doors), gouache on paper, 2024
Theatre of Objects, pastel on gouache on paper, 2024
Studio Sink with Turps (the rag and bone shop of the heart), gouache on paper, 2025
Studio Furniture (hare hiding), oil on linen, 2025
Maleny Studio (rainy day), oil on linen, 2025
Theatre of Objects
Theatre is in large part an enhancement of life. Within the limitation of my studio the arrangements of these objects take on a transformative role. They are both ordinary and illimitable.
Nowhere is this duality more present than in the small painting of batteries which introduces the show. These hefty ‘Eveready No 6’s’ are relics from the front verandah of my childhood home in Western Queensland where they charged a piercing bell to alert outside workers to the phone. They also exist as a metaphor for the magic of creative energy.
The objects in this show are thoroughly themselves but they can also be vehicles that carry wide-ranging ideas - such as family and generational connections and our personal and ever-shifting relationship to art. Introspective concerns are grounded in a sense of place through the inclusion of local flora and the occasional glimpse of the Maleny rainforest trees through windows.
In this new series of Still Lifes, reality and the imagination are hard to separate - the drama of life lies just beneath the surface.