Batteries (the wonder of ch’i), gouache on paper, 2024

Family Portrait (Bronzino in the studio), gouache on paper, 2024

 

Morning (the yellow dress), gouache on paper, 2024

Lemon Water and Bathers, gouache on paper, 2025

Heart and Soul (Van Gogh and macadamias), gouache on paper, 2024

Chair and Question (Rembrandt and bentwood), gouache on paper, 2025

Font (remembering Limestone Valley), gouache on paper, 2024

Cherry Table (a secret psychology of drawers), gouache on paper, 2022

 

From Laurie in LA (Art Deco travel poster sent in memory of our youthful travels), gouache on paper, 2024

 
 

From John in London (Paula Rego’s dance of life with colour wheel and my mother’s palette), gouache on paper, 2024

 
 

From Carmel in Chicago (Georgia O’Keefe’s clouds with the Darling Downs sky of Kenneth McQueen), gouache on paper, 2025

 
 

From Lynn in Paris (Fra Angelico’s drummer angel in studio jug), gouache on paper, 2024

 
 

From Peter in Devon (Arthur Wallis’ ship in a storm of paint rags), gouache on paper, 2024

 

Maternal Threads (abstract by a young artist with fabric from both her grandmothers), oil on linen, 2025

Studio Interior (the poetics of space), oil on linen, 2024

d’art Moderne, gouache on paper, 2024

Foliage (Milena, Lamp and Black Bean), gouache on paper, 2024

Ancient Fertilities (Bunya fruit and torso), gouache on paper, 2023

Costumed Easel , gouache on paper, 2023

Pictorial Analysis (with Red Cedar doors), gouache on paper, 2024

Theatre of Objects, pastel on gouache on paper, 2024

Studio Sink with Turps (the rag and bone shop of the heart), gouache on paper, 2025

Studio Furniture (hare hiding), oil on linen, 2025

Maleny Studio (rainy day), oil on linen, 2025

 Theatre of Objects

           Theatre is in large part an enhancement of life. Within the limitation of my studio the arrangements of these objects take on a transformative role. They are both ordinary and illimitable. 

             Nowhere is this duality more present than in the small painting of batteries which introduces the show. These hefty ‘Eveready No 6’s’ are relics from the front verandah of my childhood home in Western Queensland where they charged a piercing bell to alert outside workers to the phone. They also exist as a metaphor for the magic of creative energy. 

              The objects in this show are thoroughly themselves but they can also be vehicles that carry wide-ranging ideas - such as family and generational connections and our personal and ever-shifting relationship to art. Introspective concerns are grounded in a sense of place through the inclusion of local flora and the occasional glimpse of the Maleny rainforest trees through windows. 

               In this new series of Still Lifes, reality and the imagination are hard to separate - the drama of life lies just beneath the surface.